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The Dead South, however, have never had to beg for a welcome – certainly not live.Since Hilts, Scott Pringle (mandolin, vocals), Colton Crawford (banjo) and Danny Kenyon (cello) got together in 2012, they’ve built a large international following on the road.What people tap into on both records, Hilts believes, is The Dead South’s ability to take on dark topics sounding like they’re wallowing in pain.“We tend to make songs sound happy, but if you listen to the lyrics you’re like, “Wait, that’s not happy,” he says, chuckling. A lot of the songs are tragic or about really bad habits.” “All the songs on Illusion and Doubt play into each other,” he continues.Artist to stage ultimate concert performances in North America, UK and Europe, promising audiences an historic evening of career-spanning hits and timeless classics Legendary songwriter, recording artist and performer Paul Simon, will embark on his farewell concert tour on May 16 in Vancouver, British Columbia, Canada at Rogers Arena….
Worship leader and songwriter Cory Asbury has crafted a powerful new album that marks his first release as a Bethel Music artist and his second full-length release to date.“They’re like multiple love letters between a man and a woman” – songs populated by outliers, outlaws and down on their luck drifters who show up shit-faced drunk on a lover’s front porch begging for shelter.That’s the story behind ‘Time For Crawlin’ – a track Hilts says is about, “Drinking your self into trouble, getting kicked in the ass for it, and just begging to come in,” Hilts says.“Getting the band together really inspired everyone to woodshed, collectively and individually,” Hilts adds And the result is music that just sinks into your soul; raw, raucous and so aggressively honest it seems like the band just rolled out of bed, grabbed a bottle of whisky and hit the stage.Since signing their first record deal with Germany’s Devil Duck Records in 2014, “Touring is pretty much all we’ve been doing,” Hilts says.
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country and bluegrass, adding fiddle and pedal steel, but not abandoning their stripped down, acoustic sound.